Autumn’s arrival is always a bittersweet thing, as there is menace within those scarlets and golds and vermillions. The colors blossom the way skin flushes before death. Autumn feels more wretched than Winter because it’s the point just before, that moment in time where the outcome seems to teeter on the tightrope of chance. We carry hope that the encroaching cold can be pushed back one more week. It’s that feeling late Sunday afternoon when you realize that you have to go to bed and get up in the morning because tomorrow is fucking Monday and work calls, work calls, work calls. The closer it is to midnight, the more you want to just crawl up and die. We lament Sunday, as Sunday is a messenger bearing bad news. Autumn is the same way – it’d be the perfect season if not for the fact that Winter is waiting around the corner, waiting to make every outdoor moment of your life a nightmare. Autumn is the pretty house on the hill, hobbled by its proximity to Winter, the boarded-up hovel next door. Empty and bitter and dark. Living in Autumn means that Winter’s miserable shadow is always in your yard, there is no escaping it.
I suppose I just wanted to see Summer one last time, a last hurrah before the temperatures drop. The winds will become icy knives soon, and things like bikinis, sunscreen, and picnic baskets will seem so distant as to be hallucinations. I wanted to see it because no one goes to the beach in October, at least not in swimwear, they don’t. And it will still be pretty, but it will be different. It will be gray and stark, and the sky won’t hold relief in its breezes. The spray of the waves a cold slap against skin and eyes; the water an old friend turned hostile.
One last time to see Lake Michigan, even it’s just to say goodbye. The same way we say goodbye to the Christmas tree before we haul it down the stairs in a shower of sharp brown needles. We’ll wrap ourselves in thermal underwear and thick socks, cumbersome coats and scarves. We’ll step out into the brutal Chicago winter; we’ll stomp the snow off our boots upon returning, wiping snot from dripping noses. Frantic dashes from the shower, chattering bodies wrapped in terry cloth robes. Sweatpants and t-shirts under heavy flannel sheets, and I’ll dream of breezes from open windows and our naked bodies pressed tight beneath the linen.
After weeks of bleary-eyed work, the Noodlecat “graphic novel” is on display at… you guess it — Noodlecat. Those of you who watch Food Network probably know that Noodlecat is culinary wunderkind Jonathon Sawyer’s second restaurant in Cleveland, focusing primarily on Japanese style udon, ramen, and soba noodles, among others. Apparently Sawyer had the idea for a massive, comic book mural in the restaurant, featuring a few of his go-to guys: Brian Reilly, Johnathan Seeholzer, and La Cav Du Vin’s own Erich Lascher.
I give a tremendous thank you to Suzanne Cofer, her father, and her fiance’ Dan Price, for doing so much to get this project to completion. And the story certainly wouldn’t be so authentic had it not been for Kevin Wildermuth’s input and assistance.
Noodlecat is located in Downtown Cleveland on Euclid Avenue @ East 3rd.
Because, for whatever reason, I thought it’d be a great idea to read again at the Sunday Night Sex Show in Chicago, August 28th. It’ll be my third reading at the series, and experience has proven that everything will turn out fine. Grab the mic, wrap the cable in loops from wrist to elbow. Remember that no one actually comes prepared to these readings. Hell, last time I read, the guy before me had a story written on a napkin.
Anyway, I’ll be reading this Sunday night, August 28th. Joining me for his first appearance at the SNSS will be my wing-man and occasional, reluctant caretaker, Paul Grens… which should make the night a chaotic spectacle. I’m looking forward to seeing you!
Earlier this year, I participated in Monster Drawing Rally, a fundraising event to support exhibitions and residency programs at SPACES gallery. It was while drawing my piece that I met Randy Crider, a local comic book artist. He thought kindly enough of me to include me in his latest show, “Easy Breezy Beautiful”, his take on classic pin-ups from WWII-era bomber art to modern comics. I’ll have two pieces in the show, the first of which has never been printed before, while the second will be completely new. Several other talented artists are participating in the event, none of whom I know, so I’m looking forward to another jittery, chaotic run through the gauntlet of social discourse.
“Easy Breezy Beautiful” can be seen at Studio Le Beau in Tremont as a part of the Tremont Artwalk. The opening night reception begins at 7:00 on Friday, August 12.
Just a tiny-sized version of the latest Analeigh Rand piece, which stands 3′ tall in all its leather-clad glory. The first printing turned out a bit dark, so I’m considering a reprint. However, the last piece that I received from Picture It On Canvas (via Groupon — a debacle that I refuse to get into here) was so stunning that I’m determined to find a locally who can match PICO’s quality. As it is, I’m waiting for the frame stretcher to be constructed, so I can debate the pros and cons of printers endlessly until completion.